Andre Williams, R&B Singer and Producer, Dead at 82

Dubbed “Mr. Rhythm” and “The Godfather of Rap,” Williams died after a battle with colon cancer

R&B singer and producer Andre Williams has died, his record label Pravda Records confirmed. He was 82. In a statement, the label said he died on Sunday, March 17 in Chicago. “He touched our lives and the lives of countless others,” it reads. Williams’ manager revealed to Billboard that the singer was diagnosed with colon cancer two weeks ago and passed away while in hospice care.

Zephire “Andre” Williams was born and raised in Bessember, Alabama before moving to Detroit in the 1950s in pursuit of a music career. Still a teenager, he became involved with R&B-focused label Fortune Records. He sang for the 5 Dollars group and released solo singles like “Greasy Chicken” and “Jail Bait,” which became some of his greatest hits. The 1957 song “Bacon Fat” showcased the sing-talk style that earned Williams the “Godfather of Rap” nickname. He was also billed as “Mr. Rhythm” during his run with Fortune.

In the 1960s, Williams began working with Motown, which included co-writing Stevie Wonder’s “Thank You For Loving Me,” working with the Temptations, and producing for various groups like the Contours. During this time, he released his hits “Cadillac Jack,” “The Stroke,” and “Humpin’ Bumpin’ & Thumpin’.” Williams would go on to record with Parliament, Ike & Tina Turner (who famously performed Williams’ “Shake a Tail Feather”), the Red Hot Chilli Peppers, and others, as well as releasing his own studio records like 1998’s Gories-featuring Silk and 2000’s The Black Godfather. Williams last release, Don’t Ever Give Up, arrived in 2016.


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Austra "Being in a toxic relationship can sometimes feel like being lost in a maze."

Austra "Being in a toxic relationship can sometimes feel like being lost in a maze."

Being in a toxic relationship can sometimes feel like being lost in a maze. Every attempt to turn a corner lands you back where you started. Austra aka Katie Austra Stelmanis announces her fourth album. HiRUDiN is both a bold acknowledgement of such patterns of behaviour and a testament to the power of breaking them.

Katie Austra Stelmanis has been better known by her middle name for three albums, ten years, and countless tours. She wrote, produced, and performed all her own records, occasionally sharing the spotlight with a band to tour live. From the outside, things were going really well for a while: she built a devoted fan base and sold out shows all around the world. However, on the inside, Stelmanis was beginning to feel stagnant and uninspired. "I was losing faith in my own ideas," she explains. Without realising it, she'd got caught up in a toxic relationship that was tearing her apart.

It wasn't until Stelmanis was ready to face her insecurities that she was able to see a way forward: "My creative and personal relationships were heavily intertwined, and I knew the only answer was to part ways with all of the people and comforts that I'd known for the better part of a decade and start again." Alongside making changes in her personal life, HiRUDiN saw Austra taking an entirely different, free-spirited approach to making a record. Seeking out all new collaborators, she booked three days of sessions in Toronto with improv musicians she'd never met before. They included two thirds of contemporary classical improv group c_RL, the cellist and kamanche duo Kamancello, kulintang ensemble Pantayo, and a children's choir.

Accumulating a vast and vibrant mass of source material, Austra then holed up in a studio in the Spanish countryside and took a collage approach to sampling, arranging, writing and producing to reveal the songs that would form the album. "I found myself really enjoying the role of producer for this record," she says, "directing and arranging a very disparate array of parts and people and feeling strong in my own conviction for what I wanted it to sound like." HiRUDiN additionally saw her work alongside co-producers for the first time, Rodaidh McDonald and Joseph Shabason, and she brought in David Wrench and Heba Kadry to mix and master the record respectively. "It was incredibly liberating and a huge learning process to work with so many different people," she says. "I felt completely revitalized."

While Austra's third album, Future Politics, was concerned with the external power structures that shape society, HiRUDiN points inward. It traces a deeply personal journey towards regeneration, dealing with the fallout of toxic relationships, queer shame, and insecurity along the way. Named after the peptide released by leeches that is the most potent anticoagulant in the world, HiRUDiN is about the importance of healing the self, letting go of harmful influences, and finding the power to rebuild through exploring your innermost desires. It reaps the rewards of Austra's leap into the unknown, in her most introspective yet inventive statement to date.

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